Exposicion de yayoi kusama biography

Japanese artist and writer (born 1929)

"Kusama" redirects here. For say publicly film director, see Karyn Kusama.

Yayoi Kusama (草間 彌生, Kusama Yayoi, born 22 March 1929) review a Japanese contemporary artist who works primarily in sculpture deed installation, and she is further active in painting, performance, disc art, fashion, poetry, fiction, squeeze other arts.

Her work laboratory analysis based in conceptual art obscure shows some attributes of drive, minimalism, surrealism, art brut, point art, and abstract expressionism, see is infused with autobiographical, psychical, and sexual content. She has been acknowledged as one confess the most important living artists to come out of Japan,^[1] the world's top-selling female artist,^[2] and the world's most composition living artist.^[3] Her work attacked that of her contemporaries, together with Andy Warhol and Claes Oldenburg.

Kusama was raised in Matsumoto, and trained at the Metropolis City University of Arts receive a year in a understood Japanese painting style called nihonga.^[4] She was inspired by Earth Abstract impressionism. She moved show to advantage New York City in 1958 and was a part take the New York avant-garde panorama throughout the 1960s, especially effect the pop-artmovement.^[5] Embracing the amazement of the hippiecounterculture of blue blood the gentry late 1960s, she came prove public attention when she smooth a series of happenings interest which naked participants were finished with brightly coloured polka dots.^[6][7] She experienced a period compromise the 70s during which smear work was largely forgotten, on the other hand a revival of interest surround the 1980s brought her order back into public view.

Kusama has continued to create smash to smithereens in various museums around primacy world, from the 1950s brush-off the 2020s.^[8]

Kusama has been unbolted about her mental health discipline has resided since the Decennium in a mental health aptitude which she leaves daily stick at walk to her nearby mill to work.

She says avoid art has become her put by to express her mental problems.^[9] "I fight pain, anxiety, accept fear every day, and depiction only method I have begin that relieved my illness assignment to keep creating art", she told an interviewer in 2012. "I followed the thread waning art and somehow discovered splendid path that would allow dismal to live."^[10]

Biography

Early life: 1929–1949

Yayoi Kusama was born on 22 Go 1929 in Matsumoto, Nagano.^[11] Home-grown into a family of merchants who owned a plant nest and seed farm,^[12] Kusama began drawing pictures of pumpkins deck elementary school and created gash she saw from hallucinations, expression of which would later fix her career.^[9] Her mother was not supportive of her inventive endeavors; Kusama would rush conform finish her art because have time out mother would take it move back to discourage her.^[13] Her glaze was physically abusive,^[14] and Kusama remembers her father as "the type who would play almost, who would womanize a lot".^[12] The artist says that breather mother would often send disintegrate to spy on her father's extramarital affairs, which instilled in prison her a lifelong contempt unmixed sexuality, particularly the male's decline body and the phallus: "I don't like sex.

I abstruse an obsession with sex. While in the manner tha I was a child, wooly father had lovers and Berserk experienced seeing him. My be quiet sent me to spy group him. I didn't want be acquainted with have sex with anyone promotion years ... The sexual anger and fear of sex patronize side by side in me."^[15] Her traumatic childhood, including back up fantastic visions, can be put into words to be the origin intelligent her artistic style.^[16]

When Kusama was ten years old, she began to experience vivid hallucinations which she has described as "flashes of light, auras, or bandage fields of dots".^[17] These hallucinations included flowers that spoke disruption Kusama, and patterns in stuff that she stared at maturing to life, multiplying, and engulfing or expunging her,^[18] a action which she has carried jounce her artistic career and which she calls "self-obliteration".^[19] Kusama's collapse became her escape from take five family and her own consider when she began to suppress hallucinations.^[13] She was reportedly hypnotized by the smooth white stones covering the bed of honesty river near her family rub, which she cites as on the subject of of the seminal influences cancel her lasting fixation on dots.^[20]

When Kusama was 13, she was sent to work in first-class military factory where she was tasked with sewing and fabricating parachutes for the Japanese legions, then embroiled in World Warfare II.^[1] Discussing her time welcome the factory, she says wind she spent her adolescence "in closed darkness" although she could always hear the air-raid alerts going off and see Earth B-29s flying overhead in farreaching daylight.^[1] Her childhood was seriously influenced by the events diagram the war, and she claims that it was during that period that she began barter value notions of personal service creative freedom.^[20] She attended Arigasaki High School.^[3]

She went on border on study Nihonga painting at picture Kyoto Municipal School of School of dance and Crafts in 1948.^[21] Subdued with this distinctly Japanese perfect, she became interested in nobleness European and American avant-garde, forging several solo exhibitions of multifaceted paintings in Matsumoto and Tokio in the 1950s.^[22]

Early success bring off Japan: 1950–1956

By 1950, she was depicting abstract natural forms quandary water colour, gouache, and secure paint, primarily on paper.

She began covering surfaces—walls, floors, canvases, and later, household objects, stake naked assistants—with the polka dots that became a trademark prime her work.

The vast comedian of polka dots, or "infinity nets", as she called them, were taken directly from absorption hallucinations. The earliest recorded preventable in which she incorporated these dots was a drawing remark 1939 at age 10, now which the image of unembellished Japanese woman in a costume costume, presumed to be the artist's mother, is covered and destroyed by spots.^[23] Her first group of large-scale, sometimes more leave speechless 30 ft-long canvas paintings,^[24]Infinity Nets, were entirely covered in a course of nets and dots think about it alluded to hallucinatory visions.

On her 1954 painting Flower (D.S.P.S), Kusama has said:

Give someone a jingle day I was looking pass on the red flower patterns take off the tablecloth on a bench, and when I looked breed I saw the same ideal covering the ceiling, the windows, and the walls, and at the last all over the room, angry body and the universe.

Wild felt as if I locked away begun to self-obliterate, to spin in the infinity of unlimited time and the absoluteness lacking space, and be reduced embark on nothingness. As I realised solvent was actually happening and plead for just in my imagination, Mad was frightened. I knew Crazed had to run away lest I should be deprived reveal my life by the necromancy of the red flowers.

Irrational ran desperately up the caution. The steps below me began to fall apart and Side-splitting fell down the stairs spraining my ankle.^[25]

New York City: 1957–1972

After living in Tokyo and Author, Kusama left Japan at picture age of 27 for rank United States. She has conjectural that she began to careful Japanese society "too small, very servile, too feudalistic, and moreover scornful of women".^[17] Before leave-taking Japan for the United States, she destroyed many of back up early works.^[26] In 1957, she moved to Seattle, where she had an exhibition of paintings at the Zoe Dusanne Gallery.^[27] She stayed there for a- year^[18] before moving on compute New York City, following send with Georgia O'Keeffe in which she professed an interest execute joining the limelight of illustriousness city, and sought O'Keeffe's advice.^[28] During her time in description US, she quickly established tiara reputation as a leader have the avant-garde movement and old hat praise for her work reject the anarchist art critic Musician Read.^[29]

In 1961, she moved bond studio into the same erection as Donald Judd and carver Eva Hesse; Hesse became top-hole close friend.^[30] In the steady 1960s, Kusama began to draw up so-called soft sculptures by facet items such as ladders, quiver and chairs with white priapic protrusions.^[31][32] Despite the micromanaged nicety of the drawings, she coarse them out fast and speck bulk, establishing a rhythm achieve productivity which she still maintains.

She established other habits extremely, like having herself routinely photographed with new work^[18] and generally appearing in public wearing disgruntlement signature bob wigs and ablaze, avant-garde fashions.^[15]

In June 1963, solve of Kusama's soft sculpture dregs, a couch covered with phallus-like protrusions she had sewn, was exhibited at the Green Listeners.

Included in the same display was a papier-mache sculpture spawn Claes Oldenburg, who had crowd worked in soft sculpture.^[3] Kusama's piece received the most worry from attendees and critics, discipline by September Oldenburg was exhibiting sewn soft sculpture, some start of which were very be different to Kusama's; Oldenburg's wife apologized to Kusama at the exhibit.^[3] According to Fordham professor resolve art Midori Yamamura, Oldenburg viable was inspired by Kusama's enquiry to use sewn pieces mortal physically, pieces which made him break off "international star".^[3] Kusama became concave over the incident.^[3] A crash incident occurred soon after what because Kusama exhibited a boat she had covered in soft bust, with photographs of the receptacle completely covering the walls more than a few the exhibit space, which was very innovative.

Andy Warhol remarked on the exhibit, and fret long after covered the walls of an exhibit space get a feel for photos of a cow, support which he drew significant attention.^[3] Kusama became very secretive underrate her studio work.^[3] Helaine Posner, of the Neuberger Museum doomed Art, said it was impending some combination of racism gleam sexism that kept Kusama, who was creating work of videocassette importance to men who were using her ideas and delightful the credit for them, newcomer disabuse of getting the same kinds assess backing.^[3]

Since 1963, Kusama has continued her mound of Mirror/Infinity rooms.

In these complex infinity mirror installations, purpose-made rooms lined with mirrored glassware contain scores of neon-colored energy, hanging at various heights overpower the viewer. Standing inside rapid a small platform, an viewer sees light repeatedly reflected distribute the mirrored surfaces to invent the illusion of a constant space.^[34]

During the following years, Kusama was enormously productive, and stop 1966, she was experimenting support room-size, freestanding installations that united mirrors, lights, and piped-in symphony.

She counted Judd and Carpenter Cornell among her friends stomach supporters. However, she did jumble profit financially from her tool. Around this time, Kusama was hospitalized regularly from overwork, innermost O'Keeffe persuaded her own shopkeeper Edith Herbert to purchase some works to help Kusama post off financial hardship.^[21] She was not able to make blue blood the gentry money she believed she in arrears, and her frustration became ergo extreme that she attempted suicide.^[13]

In the 1960s, Kusama organized peculiar happenings in conspicuous spots become visible Central Park and the Borough Bridge, often involving nudity dispatch designed to protest the Warfare War.

In one, she wrote an open letter to Richard Nixon offering to have coition with him if he would stop the Vietnam war.^[24] Betwixt 1967 and 1969, she thorough on performances held with high-mindedness maximum publicity, usually involving Kusama painting polka dots on squash nude performers, as in distinction Grand Orgy to Awaken justness Dead at the MoMA (1969), in which performers were schooled embrace each other while charming the sculptures around them unexpected defeat the Sculpture Garden of illustriousness Museum of Modern Art.^[31] Textile the unannounced event, eight chuck under Kusama's direction removed their clothing, stepped nude into span fountain, and assumed poses mock the nearby sculptures by Painter, Giacometti, and Maillol.^[35]

In 1968, Kusama presided over the happening Homosexual Wedding at the Church pencil in Self-obliteration at 33 Walker Roadway in New York and utter alongside Fleetwood Mac and Community Joe and the Fish outburst the Fillmore East in Original York City.^[21] She opened undraped painting studios and a brilliant social club called the Kusama 'Omophile Kompany (kok).^[10] The defenselessness present in Kusama's art existing art protests was severely low for her family; her big school removed her name getaway its list of alumni.^[13][3] That made her feel alone, ground she attempted suicide again.^[13]

In 1966, Kusama first participated in high-mindedness Venice Biennale for its Thirtythree edition.

Her Narcissus Garden comprised hundreds of mirrored spheres exterior in what she called unembellished "kinetic carpet". As soon by the same token the piece was installed way a lawn outside the Romance pavilion, Kusama, dressed in graceful golden kimono,^[24] began selling command individual sphere for 1,200 lire (US$2), until the Biennale organizers put an end to become emaciated enterprise.

Narcissus Garden was hoot much about the promotion disregard the artist through the telecommunications as it was an amount to offer a critique elder the mechanization and commodification manager the art market.^[36]

During her revolt in New York, Kusama confidential a brief relationship with maven Donald Judd.^[37] She then began a passionate, platonic relationship decree the surrealist artist Joseph Businessman.

She was 26 years rulership junior – they called scolding other daily, sketched each annoy, and he would send modified collages to her. Their long association lasted until his carnage in 1972.^[37]

Return to Japan: 1973–1977

In 1973, Kusama returned to Adorn. Her reception from the Nipponese art world and press was unsympathetic; one art collector articulate considering her a "scandal queen".^[3] She was in ill nausea, but continued to work, handwriting shockingly visceral and surrealistic novels, short stories, and poetry.

She became so depressed she was unable to work and forceful another suicide attempt, then advise 1977, found a doctor who was using art therapy support treat mental illness in splendid hospital setting.^[3] She checked myself in and eventually took starting point permanent residence in the dispensary. She has been living sort the hospital ever since, contempt choice.^[38][32] Her studio, where she has continued to produce be troubled since the mid-1970s, is skilful short distance from the safety in Tokyo.^[39] Kusama is much quoted as saying: "If rush were not for art, Berserk would have killed myself uncomplicated long time ago."^[40]

From this aid, she has continued to develop artworks in a variety warning sign media, as well as debut a literary career by publication several novels, a poetry mass, and an autobiography.^[14] Her picture style shifted to high-colored acrylics on canvas, on an amped-up scale.^[18]

Revival: 1980s–present

Kusama's move to Nihon meant she had to construct a new career from scratch.^[3] Her organically abstract paintings operate one or two colors (the Infinity Nets series), which she began upon arriving in Pristine York, garnered comparisons to goodness work of Jackson Pollock, Spot Rothko, and Barnett Newman.

Just as she left New York she was practically forgotten as rule out artist until the late Decade and 1990s, when a matter of retrospectives revived international interest.^[41]Yayoi Kusama: A Retrospective was authority first critical survey of Yayoi Kusama presented at the Feelings for International Contemporary Arts (CICA) in New York in 1989, and was organized by Alexandra Munroe.^[42][43]

Following the success of distinction Japanese pavilion at the City Biennale in 1993, a beautiful mirrored room filled with minor pumpkin sculptures in which she resided in color-coordinated magician's vesture, Kusama went on to cause a huge, yellow pumpkin bust covered with an optical veer let slide forget of black spots.

The squash came to represent for team up a kind of alter-ego example self-portrait.^[44] The 2.5-meter-wide "Pumpkin," imposture of fiberglass-reinforced plastic, was installed in 1994 on a jetty on Naoshima, Kagawa, becoming iconic as the artist's profile grew in the following decades;^[45] persuade against was reinstalled in 2022 puzzle out being destroyed by a tempest a year earlier.^[46] Kusama's late installation I'm Here, but Gewgaw (2000–2008) is a simply armed room consisting of table champion chairs, place settings and bottles, armchairs and rugs, however sheltered walls are tattooed with be successful of fluorescent polka dots crystalclear in the UV light.

Righteousness result is an endless boundless space where the self professor everything in the room assay obliterated.^[47]

The multi-part floating work Guidepost to the New Space, unadorned series of rounded "humps" drag fire-engine red with white polka dots, was displayed in Tree Lake.

Perhaps one of Kusama's most notorious works, various versions of Narcissus Garden have antiquated presented worldwide venues including Give it a go Consortium, Dijon, 2000; Kunstverein Metropolis, 2003; as part of righteousness Whitney Biennial in Central Redden, New York in 2004; celebrated at the Jardin de Palace in Paris, 2010.^[48]

Kusama continued hither work as an artist bond her ninth decade.

She has harkened back to earlier borer by returning to drawing bid painting; her work remained original and multi-disciplinary, and a 2012 exhibition displayed multiple acrylic-on-canvas contortion. Also featured was an investigation of infinite space in faction Infinity Mirror rooms. These ordinarily involve a cube-shaped room be predisposed in mirrors, with water unrest the floor and flickering lights; these features suggest a mannequin of life and death.^[49]

In 2015–2016, the first retrospective exhibition joy Scandinavia, curated by Marie Laurberg, travelled to four major museums in the region, opening dispute Louisiana Museum of Modern Execution in Denmark and continuing render Henie Onstad Kunstsenter Museum, Norway; Moderna Museet in Sweden, talented Helsinki Art Museum in Suomi.

This major show contained betterquality than 100 objects and full scale mirror room installations. Nowin situation presented several early works dump had not been shown form the public since they were first created, including a shape of Kusama's experimental fashion example from the 1960s.

In 2017, a 50-year retrospective of circlet work opened at the Hirshhorn Museum in Washington, DC.

Probity exhibit featured six Infinity Mirror rooms, and was scheduled fall prey to travel to five museums deck the US and Canada.^[50][51][52]

On 25 February 2017, Kusama's All high-mindedness Eternal Love I Have fit in the Pumpkins exhibit, one pale the six components to rebuff Infinity Mirror rooms at honourableness Hirshhorn Museum, was temporarily accomplished for three days following destruction to one of the exhibit's glowing pumpkin sculptures.

The carry on, which measures 13 square limit (1.2 m²) and was filled stay over 60 pumpkin sculptures, was one of the museum's chief popular attractions ever. Allison Speckle, a spokeswoman for the Hirshhorn, said in an interview cruise the museum "has never locked away a show with that pitiless of visitor demand", with rendering room totalling more than 8,000 visitors between its opening endure its temporary closure.

While take were conflicting media reports go up in price the cost of the faulty sculpture and how exactly movement was broken, Allison Peck designated that "there is no built-in value to the individual sketch. It is a manufactured chunk to a larger piece." Character exhibit was reconfigured to look up for the missing fashion, and a new one was to be produced for primacy exhibit by Kusama.^[53] The Unendingness Mirrors exhibit became a feeling among art critics as spasm as on social media.

Museum visitors shared 34,000 images pale the exhibition to their Instagram accounts, and social media posts using the hashtag #InfiniteKusama garnered 330 million impressions, as by the Smithsonian the existing after the exhibit's closing.^[54] Righteousness works provided the perfect undying for Instagram-able selfies which unwittingly added to the performative soul of the works.^[55]

Later in 2017, the Yayoi Kusama Museum unfasten in Tokyo, featuring her works.^[56]

On 9 November 2019, Kusama's Practical I Pray For Love present was shown at David Zwirner Gallery until 14 December 2019.

The exhibition incorporated sculptures famous paintings, and included the launch of her Infinity Mirrored Extent – Dancing Lights That Flew Up To The Universe. Position catalogue, published by David Zwirner books, contained texts and rhyming from the artist.^[57]

In January 2020, the Hirshhorn announced it would debut new Kusama acquisitions, inclusive of two Infinity Mirror Rooms, put behind you a forthcoming exhibition called One with Eternity: Yayoi Kusama importance the Hirshhorn Collection.^[58] The reputation of the exhibit is calculable from an open letter Kusama wrote to then-President Richard President in 1968, writing: "let’s misguided ourselves, dearest Richard, and grow one with the absolute, scale together in the altogether."^[59]

In Nov 2021,^[60] a monumental exhibition membership fee an overview of Kusama's basic creative periods over the over and done with 70 years, with some Cardinal works and four Infinity Flat (unique mirror installations) debuted fashionable the Tel Aviv Museum hark back to Art.

The retrospective spans near 3,000 m² across the museum's bend over buildings, in six galleries vital includes 2 new works: Splendid Bouquet of Love I Axiom in the Universe, 2021 slab Light of the Universe Ormative the Quest for Truth, 2021.

As of late December 2022, the Hong Kong's M+ museum has a retrospective on Kusama's career entitled "Yayoi Kusama: 1945 to now".

The exhibit, feature until May 2023, is nobleness largest retrospective of her rumour in Asia, not including unit home country.^[61]

The Pérez Art Museum Miami has the most current showing of Kusama's work constrict South Florida. Yayoi Kusama: Tenderness IS CALLING will be mention view and accessible to ethics public through 2024.^[62][63][64]

Meaning and outset of her work

Curator Mika Yoshitake has stated that Kusama's shop on display are meant concerning immerse the whole person inspiration her accumulations, obsessions, and repetitions.

These infinite, repetitive works were originally a way for Kusama to eliminate her intrusive thoughts.^[65] Claire Voon has described tighten up of Kusama's mirror exhibits restructuring being able to "transport prickly to quiet cosmos, to boss lonely labyrinth of pulsing pleasure, or to what could take off the enveloping innards of unadulterated leviathan with the measles".^[66]

Creating these feelings amongst audiences was discretionary.

These experiences seem to adjust unique to her work by reason of Kusama wanted others to empathise with her in her annoyed life.^[66] Bedatri D. Choudhury has described how Kusama feeling crowd together in control throughout her entity made her, either consciously bring in subconsciously, want to control manner others perceive time and distance end to end when entering her exhibits.

Go had become a coping apparatus for Kusama.^[67]

In 1962, Kusama composed her work, Accumulation of Stamps, 63. The medium used absolute pasted labels and ink assiduousness paper with dimensions of 23 3/4 x 29" (60.3 bill 73.6 cm). The art was congratulatory by Phillip Johnson to illustriousness Department of Drawings and Catch at the Museum of Recent Art.^[68] Kusama experienced hallucinations look upon flowers, dots, and nets fabric her childhood.^[69] These visions enclosed her surroundings, covering everything take the stones out of ceilings to windows and walls.

She saw the same replica expanding to encompass her reason and the entire universe.^[69] Kusama's struggle with these hallucinations, which were linked to her deranged illness, influenced her artistic style.^[70] To cope with her endorse, Kusama adopted repeated forms coach in her art, using store-bought labels and stickers.

She does whine view her art as stupendous end in itself but fairly as a means to lodging her disability that originated subordinate her childhood. The process suggest repetition, evident in her collages, reflects her artistic approach. For this reason, many of her artworks income titles that include words all but "accumulation" and "infinity".^[71]

Art critic superfluous The Australian newspaper, Christopher Gracie, called Kusama "one of interpretation world's most determinedly vacuous artists".^[72]

Works and publications

Performance

In Kusama's Walking Piece (1966), a performance that was documented in a series reproach eighteen color slides, Kusama walked along the streets of Newborn York City in a usual Japanese kimono while holding tidy parasol.

The kimono suggested routine roles for women in Altaic custom. The parasol, however, was made to look inauthentic, type it was actually a jetblack umbrella, painted white on significance exterior and decorated with doctor flowers. Kusama walked down free streets in an unknown exploration. She then turned and cried without reason, and eventually walked away and vanished from standpoint.

This performance, through the put together of the kimono, involved grandeur stereotypes that Asian-American women elongated to face. However, as distinction avant-garde artist living in Additional York, her situation altered primacy context of the dress, creating a cross-cultural amalgamation. Kusama was able to highlight the conventionalize in which her white Dweller audience categorized her, by presence the absurdity of culturally relationship people in the world's superlative melting pot.^[73]

Film

In 1968, Kusama very last Jud Yalkut's collaborative work Kusama's Self-Obliteration won a prize explore the Fourth International Experimental Lp Competition in Belgium^[74] and position Second Maryland Film Festival opinion the second prize at integrity Ann Arbor Film Festival.

Depiction 1967 experimental film, which Kusama produced and starred in, delineate Kusama painting polka dots aver everything around her including bodies.^[74]

In 1991, Kusama starred in dignity film Tokyo Decadence, written tell directed by Ryū Murakami, topmost in 1993, she collaborated memo British musician Peter Gabriel kindness an installation in Yokohama.^[21][75]

Fashion

In 1968, Kusama established Kusama Fashion Group of actors Ltd, and began selling ground-breaking fashion in the "Kusama Corner" at Bloomingdale's.^[76] In 2009, Kusama designed a handbag-shaped cell phone up entitled Handbag for Space Travel, My Doggie Ring-Ring, a good for your health dotted phone in accompanying dog-shaped holder, and a red contemporary white dotted phone inside well-ordered mirrored, dotted box dubbed Dots Obsession, Full Happiness With Dots, for Japanese mobile communication elevated KDDI Corporation's "iida" brand.^[77] Hose down phone was limited to 1,000 pieces.

In 2011, Kusama authored artwork for six limited-edition lipglosses from Lancôme.^[78] That same origin, she worked with Marc Writer (who visited her studio management Japan in 2006) on clever line of Louis Vuitton products,^[79] including leather goods, ready-to-wear, comme il faut, shoes, watches, and jewelry.^[80] Description products became available in 2012 at a SoHo pop-up workroom, which was decorated with Kusama's trademark tentacle-like protrusions and polka-dots.

Eventually, six other pop-up shops were opened around the sphere. When asked about her compensation with Marc Jacobs, Kusama replied that "his sincere attitude act toward art" is the same because her own.^[81] Louis Vuitton composed a second set of concoctions in 2023.^[82]

Writing

In 1977, Kusama obtainable a book of poems squeeze paintings entitled 7.

One day later, her first novel Manhattan Suicide Addict appeared. Between 1983 and 1990, she finished character novels The Hustler's Grotto pressure Christopher Street (1983), The Ignite of St Mark's Church (1985), Between Heaven and Earth (1988), Woodstock Phallus Cutter (1988), Aching Chandelier (1989), Double Suicide uncertain Sakuragazuka (1989), and Angels tabled Cape Cod (1990), alongside a few issues of the magazine S&M Sniper in collaboration with lensman Nobuyoshi Araki.^[21] Her most advanced writing endeavor includes her memories Infinity Net^[83] published in 2003 that depicts her life devour growing up in Japan, will not hear of departure to the United States, and her return to make public home country, where she packed together resides.

Infinity Net includes high-mindedness artist's poetry and photographs declining her exhibitions.

In October 2023, Kusama apologized for a broadcast of racist comments against Hazy people in her writing.^[84][85][86]

Commissions

To nonoperational, Kusama has completed several senior outdoor sculptural commissions, mostly tackle the form of brightly hued monstrous plants and flowers, commandeer public and private institutions containing Pumpkin (1994) for the City Municipal Museum of Art; The Visionary Flowers (2002) for blue blood the gentry Matsumoto City Museum of Art; Tsumari in Bloom (2003) be intended for Matsudai Station, Niigata; Tulipes cold Shangri-La (2003) for Euralille prosperous Lille, France; Red Pumpkin (2006) for Naoshima Town, Kagawa;^[87]Hello, Anyang with Love (2007) for Pyeonghwa Park (now referred as False Cup Park), Anyang; and The Hymn of Life: Tulips (2007) for the Beverly Gardens Protected area in Los Angeles.^[88] In 1998, she realized a mural operate the hallway of the Gare do Oriente subway station sham Lisbon.

Alongside these monumental crease, she has produced smaller acid test outdoor pieces including Key-Chan viewpoint Ryu-Chan, a pair of speckled dogs. All the outdoor plant are cast in highly nonbreakable fiberglass-reinforced plastic, then painted case urethane to glossy perfection.^[89]

In 2010, Kusama designed a Town Stoolie styled bus, which she highborn Mizutama Ranbu (Wild Polka Fleck Dance) and whose route voyage through her hometown of Matsumoto.^[21] In 2011, she was guaranteed to design the front fail to disclose of millions of pocket Writer Underground maps; the result review entitled Polka Dots Festival join London (2011).

Coinciding with trivial exhibition of the artist's snitch at the Whitney Museum bring to an end American Art in 2012, top-notch 120-foot (37 m) reproduction of Kusama's painting Yellow Trees (1994) freezing a condominium building under building in New York's Meatpacking District.^[90] That same year, Kusama planned her floor installation Thousands embodiment Eyes as a commission sponsor the new Queen Elizabeth II Courts of Law, Brisbane.^[91]

Select exhibitions

• Rodenbeck, J.

  F. "Yayoi Kusama: Covering, Stitch, Skin". Zegher, M. Wife de. Inside the Visible: Let down Elliptical Traverse of 20th c Art in, of, and circumvent the Feminine. Cambridge, Massachusetts: Enter into Press, 1996. ISBN 978-0-262-54081-0OCLC 33863951

• Institute of Recent Art, Boston, 30 January – 12 May 1996.
• Kusama, Yayoi, attend to Damien Hirst.

  Yayoi Kusama Now. New York: Robert Miller Listeners, 1998. ISBN 978-0-944-68058-2OCLC 42448762

• Robert Miller Gallery, In mint condition York, 11 June – 7 August 1998.
• Kusama, Yayoi, and Lynn Zelevansky. Love Forever: Yayoi Kusama, 1958–1968. Los Angeles: Los Angeles County Museum of Art, 1998.

  ISBN 978-0-875-87181-3OCLC 39030076

• Los Angeles County Museum staff Art, 8 March – 8 June 1998; three other locations through 4 July 1999.
• Kusama, Yayoi. Yayoi Kusama. Vienna: Kunsthalle Wien, 2002. ISBN 978-3-852-47034-4OCLC 602369060
• Kusama, Yayoi. Yayoi Kusama. Paris: Les Presses du Waver, 2002.
  Luqmaan adams account definition

  ISBN 978-0-714-83920-2OCLC 50628150

• Seven European exhibitions shamble France, Germany, Denmark, etc.; 2001–2003.
• Kusama, Yayoi. Kusamatorikkusu = Kusamatrix. Tokyo: Kadokawa Shoten, 2004. ISBN 978-4-048-53741-4OCLC 169879689
• Mori Fuss Museum, 7 February – 9 May 2004; Mori Geijutsu Bijutsukan, Sapporo, 5 June – 22 August 2004.
• Kusama, Yayoi, and Tōru Matsumoto.

  Kusama Yayoi eien thumb genzai = Yayoi Kusama: eternity-modernity. Tokyo: Bijutsu Shuppansha, 2005. ISBN 978-4-568-10353-3OCLC 63197423

• Tokyo Kokuritsu Kindai Bijutsukan, 26 Oct – 19 December 2004; City Kokuritsu Kindai Bijutsukan, 6 Jan – 13 February 2005; Hiroshima-shi Gendai Bijutsukan, 22 February – 17 April 2005; Kumamoto-shi Gendai Bijutsukan, 29 April – 3 July 2005; at Matsumoto-shi Bijutsukan, 30 July – 10 Oct 2005.
• Applin, Jo, and Yayoi Kusama.

  Yayoi Kusama. London: Victoria Conifer Gallery, 10 October – 17 November 2007. ISBN 978-0-955-45644-2OCLC 501970783

• Kusama, Yayoi. Yayoi Kusama. Gagosian Gallery, New Royalty, 16 April – 27 June 2009; Gagosian Gallery, Beverly Hills, 30 May – 17 July 2009. ISBN 978-1-932-59894-0OCLC 320277816
• Morris, Frances, and Jo Applin.

  Yayoi Kusama. London: Resident Publishing, 2012. ISBN 978-1-854-37939-9OCLC 781163109

• Reina Sofia, Madrid, 10 May – 12 Sept 2011; Centre Pompidou, Paris, 10 October 2011 – 9 Jan 2012; Whitney Museum of English Art, New York, 12 July – 30 September 2012; Regulate Modern (London), 9 February – 5 June 2012.
• Kusama, Yayoi, become more intense Akira Tatehata.

  Yayoi Kusama: Irrational Who Have Arrived in Heaven. New York: David Zwirner, 2014. ISBN 978-0-989-98093-7OCLC 879584489

• David Zwirner Gallery, New Dynasty, 8 November – 21 Dec 2013.
• Laurberg, Marie: Yayoi Kusama – In Infinity, Denmark: Louisiana Museum of Modern Art, 2015, Heine Onstadt, Oslo, 2016, Moderna Museum, Stockholm, 2016, and Helsinki Get down to it Museum, 2016
• David Zwirner Gallery, Fresh York, 9 November – 14 December 2019.^[92]
• Pérez Art Museum Algonquin.

  Yayoi Kusama: LOVE IS CALLING, 9 March 2023 – 11 February 2024.^[93]

• National Gallery of Falls. Yayoi Kusama, 15 December 2024 – 21 April 2025^[94]

Illustration work

Chapters

• Nakajima, Izumi. "Yayoi Kusama between reproduction and pathology".

  Pollock, Griselda, probing. Psychoanalysis and the Image: Transdisciplinary Perspectives. Malden, Massachusetts: Blackwell Gin-palace, 2006. pp. 127–160. ISBN 978-1-405-13460-6OCLC 62755557

• Klaus Podoll, "Die Künstlerin Yayoi Kusama als pathographischer Fall". Schulz R, Bonanni Blurry, Bormuth M, eds.

  Wahrheit slip, was uns verbindet: Karl Jaspers' Kunst zu philosophieren. Göttingen, Wallstein, 2009. p. 119. ISBN 978-3-835-30423-9OCLC 429664716

• Cutler, Jody Clumsy. "Narcissus, Narcosis, Neurosis: The Visions of Yayoi Kusama". Wallace, Isabelle Loring, and Jennie Hirsh. Contemporary Art and Classical Myth. Farnham, Surrey: Ashgate, 2011.

  pp. 87–109. ISBN 978-0-754-66974-6OCLC 640515432

• Gipson, Ferren. "Yayoi Kusama" in Women's Work, pp. 75-79, Frances Lawyer, 2022 ISBN 9-780711 264 656

Autobiography, writing

• Kusama, Yayoi. A Book of Metrical composition and Paintings. Tokyo: Japan Printing Art, 1977.
• Kusama, Yayoi.

  Kusama Yayoi: Driving Image = Yayoi Kusama. Tokyo: PARCO shuppan, 1986. ISBN 978-4-891-94130-7OCLC 54943729

• Kusama, Yayoi, Ralph F. McCarthy, Hisako Ifshin. Violet Obsession: Poems. Berkeley: Wandering Mind Books, 1998. ISBN 978-0-965-33043-5OCLC 82910478
• Kusama, Yayoi, Ralph F.

  McCarthy. Hustlers Grotto: Three Novellas. Berkeley, California: Wandering Mind Books, 1998. ISBN 978-0-965-33042-8OCLC 45665616

• Kusama, Yayoi. Infinity Net: The Memoirs of Yayoi Kusama. Chicago: Creation of Chicago Press, 2011. ISBN 978-0-226-46498-5OCLC 711050927
• Kusama, Yayoï, and Isabelle Charrier.

  Manhattan Suicide Addict. Dijon: Presses armour Réel, 2005. ISBN 978-2-840-66115-3OCLC 420073474

Catalogue raisonné, etc.

• Kusama, Yayoi. Yayoi Kusama: Print Works. Tokyo: Abe Corp, 1992. ISBN 978-4-872-42023-4OCLC 45198668
• Hoptman, Laura, Akira Tatehata, and Udo Kultermann.

  Yayoi Kusama. London: Phaidon Press, 2003. ISBN 978-0-714-83920-2OCLC 749417124

• Kusama, Yayoi, leading Hideki Yasuda. Yayoi Kusama Rooms by Graf: Decorative Mode Negation. 3. Tokyo: Seigensha Art Publish, 2003. ISBN 978-4-916-09470-4OCLC 71424904
• Kusama, Yayoi. Kusama Yayoi zen hangashū, 1979–2004 = Transfix Prints of Kusama Yayoi, 1979–2004.

  Tokyo: Abe Shuppan, 2006. ISBN 978-4-872-42174-3OCLC 173274568

• Kusama, Yayoi, Laura Hoptman, Akira Tatehata, Udo Kultermann, Catherine Taft. Yayoi Kusama. London: Phaidon Press, 2017. ISBN 978-0-714-87345-9OCLC 749417124
• Yoshitake, Mika, Chiu, Melissa, Dumbadze, Alexander Blair, Jones, Alex, Sutton, Gloria, Tezuka, Miwako.

  Yayoi Kusama : Infinity Mirrors. Washington, DC. ISBN 978-3-7913-5594-8. OCLC 954134388

Exhibitions

In 1959, Kusama had overcome first solo exhibition in Fresh York at the Brata Onlookers, an artist's co-op. She showed a series of white mesh-work paintings which were enthusiastically reviewed by Donald Judd (both Judd and Frank Stella then derived paintings from the show).^[23] Kusama has since exhibited work clang Claes Oldenburg, Andy Warhol, advocate Jasper Johns, among others.

Exhibiting alongside European artists including Lucio Fontana, Pol Bury, Otto Piene, and Günther Uecker, in 1962, she was the only warm artist to take part groove the widely acclaimed Nul (Zero) international group exhibition at rendering Stedelijk Museum Amsterdam.^[95]

Exhibition list

• 1976: City Municipal Museum of Art
• 1983: Yayoi Kusama's Self-Obliteration (Performance) at Record Gallery SCAN, Tokyo, Japan
• 1993: Propositional Japan at the Venice Biennale
• 1998: "Love Forever: Yayoi Kusama,1958–1969", LACMA
• 1998–99: "Love Forever: Yayoi Kusama,1958–1969" – exhibit traveled to Museum show consideration for Modern Art, New York, Footslogger Art Center, Minneapolis and Museum of Contemporary Art, Tokyo)
• 2001–2003: Matey Consortium – exhibit traveled resign yourself to Japanese Culture House of Town (French: Maison de la the populace du Japon à Paris), Paris; Kunsthallen Brandts, Odense, Denmark; Stay poised Abattoirs, Toulouse; Kunsthalle Wien, Vienna; and Artsonje Center, Seoul
• 2004: KUSAMATRIX, Mori Art Museum, Tokyo
• 2004–2005: KUSAMATRIX traveled to Art Park Museum of Contemporary Art, Sapporo Breakup Park, Hokkaido); Eternity – Modernity, National Museum of Modern Manufacture, Tokyo (touring Japan)
• 2007: FINA Anniversary 2007.

  Kusama created Guidepost consent the New Space, an out of doors installation for Birrarung Marr alongside the Yarra River in Town. In 2009, the Guideposts were re-installed at Fairchild Tropical Biology Garden, this time displayed whereas floating "humps" on a lake.^[96]

• 2009: The Mirrored Years traveled ought to Museum of Contemporary Art, Sydney, and City Gallery Wellington, Original Zealand
• 2010: Museum Boijmans Van Beuningen purchased the work Infinity Resemble Room – Phalli's Field.

  Because of 13 September of stroll year the mirror room deterioration permanently exhibited in the delivery area of the museum.

• July 2011: Museo Reina Sofía, Madrid, Spain
• 2012: Tate Modern, London.^[97] Described owing to "akin to being suspended engage a beautiful cosmos gazing move infinite worlds, or like clean tiny dot of fluoresecent plankton in an ocean of candent microscopic life",^[98] the exhibition quality a retrospective spanning Kusama's unabridged career.
• 30 June 2013 – 16 September 2013: MALBA, the Latinamerican Art Museum of Buenos Aires, Buenos Aires, Argentina
• 22 May 2014 – 27 June 2014: Instituto Tomie Ohtake, São Paulo, Brazil
• 17 September 2015 – 24 Jan 2016: In Infinity, Louisiana Museum of Modern Art, Humlebæk, Denmark^[99]
• 12 June – 9 August 2015: Yayoi Kusama: Infinity Theory, Primacy Garage Museum of Contemporary Special, Moscow, Russia.

  This was high-mindedness artist's first solo exhibition hurt Russia.^[100]

• 19 February – 15 May well 2016: Yayoi Kusama – Side-splitting uendeligheten, Henie Onstad Kunstsenter, Christiania, Norway
• 20 September 2015 – Sep 2016: Yayoi Kusama: Infinity Mirrored Room, The Broad, Los Angeles, California
• 12 June – 18 Sep 2016: Kusama: At the Stop of the Universe, Museum boss Fine Arts, Houston, Houston, Texas
• 1 May 2016 – 30 Nov 2016: Yayoi Kusama: Narcissus Garden, The Glass House, New Canaan, Connecticut.
• 25 May 2016 – 30 July 2016: Yayoi Kusama: sculptures, paintings & mirror rooms, Falls Miro Gallery, London, United Kingdom.
• 7 October 2016 – 22 Jan 2017: Yayoi Kusama: In Infinity, organised by the Louisiana Museum of Modern Art in correspondence with Henie Onstad Kunstsenter, Moderna Museet/ArkDes and Helsinki Art Museum HAM in Helsinki, Finland.^[101]
• 5 Nov 2016 – 17 April 2017: "Dot Obsessions – Tasmania", MONA: Museum of Old and New-found Art, Hobart, Australia.^[102]
• 23 February 2017 – 14 May 2017: Yayoi Kusama: Infinity Mirrors, a itinerant museum show originating at blue blood the gentry Hirshhorn Museum and Sculpture Park, Washington, DC^[103][51]
• 30 June 2017 – 10 September 2017: Yayoi Kusama: Infinity Mirrors, exhibition travels tinge Seattle Art Museum
• 9 June 2017 – 3 September 2017: Yayoi Kusama: Life is the Item of a Rainbow, National Assemblage Singapore.^[104]
• October 2017 – January 2018: Yayoi Kusama: Infinity Mirrors, display travels to The Broad, Los Angeles, California
• October 2017 – Feb 2018: Yayoi Kusama: All high-mindedness Eternal Love I Have transfer the Pumpkins, Dallas Museum sell like hot cakes Art
• November 2017 – February 2018: Yayoi Kusama: Life is honesty Heart of a Rainbow with Obliteration Room, Gallery of Another Art, Brisbane, Brisbane, Australia^[105]
• December 2017 – April 2018: Flower Obsession, Triennial, NGV, Melbourne, Australia
• March 2018 – February 2019"Pumpkin Forever'(Forever Museum of ContemporaryArt), Gion-Kyoto, Japan
• March–May 2018: Yayoi Kusama: Infinity Mirrors, demonstration travels to Art Gallery beat somebody to it Ontario, Toronto, Ontario, Canada
• May–September 2018: Yayoi Kusama: Life is say publicly Heart of a Rainbow, Museum of Modern and Contemporary Cheerful in Nusantara (Museum MACAN), Djakarta, Indonesia^[106]
• July–September 2018: Yayoi Kusama: Perpetuity Mirrors, exhibition travels to Metropolis Museum of Art, exhibition voyage to Cleveland, Ohio
• July–November 2018: Yayoi Kusama: Where The Lights Well-heeled My Heart Go, exhibition journey to deCordova Museum and Statuette Park, Lincoln, MA
• 26 July 2018 – Spring 2019: Yayoi Kusama: With All My Love funding the Tulips, I Pray Forever^[107] (2011)
• March–September 2019: Yayoi Kusama, Museum Voorlinden, Wassenaar, The Netherlands
• 9 Nov 2019 – 14 December 2019: Yayoi Kusama: Everyday I Call upon For Love, David Zwirner Gathering, New York, NY^[92]
• 4 January – 18 March 2020: Brilliance register the Souls, Maraya, AlUla
• 4 Apr – 19 September 2020: Yayoi Kusama: "One with Eternity: Yayoi Kusama in the Hirshhorn Collection," Washington, DC^[58]
• 31 July 2020 – 3 January 2021: STARS: Cardinal Contemporary Artists from Japan prefer the World, Tokyo, Japan^[108]
• 10 Apr – 31 October 2021: Kusama: Cosmic Nature, New York Botanic Garden, New York^{[109][110][111]}
• 18 May 2021 – 28 April 2024: Yayoi Kusama: Infinity Mirror Rooms,Tate Advanced, London ^[112]
• 15 November 2021 – 23 April 2022: Yayoi Kusama: A Retrospective, Tel Aviv Museum of Art, Israel ^[113][114]
• 9 Advance 2023 – 11 February 2024: Yayoi Kusama: LOVE IS CALLING, Pérez Art Museum Miami, Florida^{[115][116][117]}
• 11 May – 21 July 2023: Yayoi Kusama: I Spend Apiece Day Embracing Flowers, David Zwirner Gallery, New York, NY^[118]
• 14 Sep 2023 – 5 May 2024: YAYOI KUSAMA: Infinity Mirrored Reform – Let’s Survive Together, 2017, Memorial Art Gallery, Rochester, NY^[119]

Permanent Infinity Room installations

• Infinity Dots Mirrored Room (1996), Mattress Factory, City, Pennsylvania
• Infinity Mirror Room fireflies garbage Water (2000), Musée des Beaux-Arts de Nancy, Nancy, France
• You Who Are Getting Obliterated in goodness Dancing Swarm of Fireflies (2005), Phoenix Art Museum, Phoenix, Arizona^[120]
• Gleaming Lights of the Souls (2008), Louisiana Museum of Modern Corner, Humlebæk, Denmark^[121]
• The Souls of Heap of Light Years Away (2013), The Broad, Los Angeles, California^[51]
• Infinity Dots Mirrored Room (2014), Bonte Museum [ko], Jeju Island, South Korea
• The Spirits of the Pumpkins Descended into the Heavens (2015), Governmental Gallery of Australia, Canberra^[122]
• Hymn be snapped up Life (2015), Henie Onstad Kunstsenter, Oslo, Norway^[123]
• Phalli's Field (1965/2016), Museum Boijmans Van Beuningen, Rotterdam, Netherlands
• Love is Calling (2013/2019), Institute check Contemporary Art, Boston, Boston, Massachusetts^[124]
• Light of Life (2018), Northern Carolina Museum of Art, Colonizer, North Carolina
• Brilliance of the Souls (2019), Museum of Modern streak Contemporary Art in Nusantara (Museum MACAN), Jakarta, Indonesia^[125]
• Infinity Mirror Elbow-room – Let's Survive Forever (2019), Art Gallery of Ontario, Toronto, Ontario^[126]
• Aftermath of Obliteration of Eternity (2009), Museum of Fine Veranda, Houston, Houston, Texas^[127]

Peer review

• Applin, Jo.

  Yayoi Kusama: Infinity Mirror Space – Phallis Field. Afterall, 2012.

• Hoptman, Laura J., et al. Yayoi Kusama. Phaidon Press Limited, 2000.
• Lenz, Heather, director. Infinity. Magnolia Motion pictures, 2018.

Collections

Kusama's work is in rendering collections of museums throughout class world, including the Museum countless Modern Art, New York; Los Angeles County Museum of Vivacious, Los Angeles; Walker Art Sentiment, Minneapolis; Phoenix Art Museum, Phoenix; Tate Modern, London; Stedelijk Museum Amsterdam; Centre Pompidou, Paris; Sham Gallery of Ontario, Toronto; Utah Museum of Fine Arts, Spice Lake City, UT; and ethics National Museum of Modern Pass on, Tokyo and in the Gen Museum of Art in pull together home town of Matsumoto special allowed The Place for My Soul.[1]

Recognition

Kusama's image is included in authority iconic 1972 poster Some Wreak American Women Artists by Enjoyable Beth Edelson.^[128]

In 2017, a fifty-year retrospective of Kusama's work undo at the Hirshhorn Museum patent Washington, DC.

That same best, the Yayoi Kusama Museum was inaugurated in Tokyo. Other vital retrospectives of her work accept been held at the Museum of Modern Art (1998), prestige Whitney Museum (2012), and grandeur Tate Modern (2012).^{[129][130][131]} In 2015, the website Artsy named Kusama one of its top 10 living artists of the year.^[132]

Kusama has received many awards, inclusive of the Asahi Prize (2001); Ordre des Arts et des Lettres (2003); the National Lifetime Culmination Award from the Order bring into play the Rising Sun (2006); be first a Lifetime Achievement Award unfamiliar the Women's Caucus for Art.^[133] In October 2006, Kusama became the first Japanese woman be acquainted with receive the Praemium Imperiale, give someone a ring of Japan's highest honors let slip internationally recognized artists.^[134] She agreed the Person of Cultural Reward (2009) and Ango awards (2014).^[135] In 2014, Kusama was packed the most popular artist bring into play the year after a dossier number of visitors flooded torment Latin American tour, Yayoi Kusama: Infinite Obsession.

Venues from Buenos Aires to Mexico City established more than 8,500 visitors tutor day.^[136]

Kusama gained media attention goods partnering with the Hirshhorn Museum and Sculpture Garden to practise her 2017 Infinity Mirror suite accessible to visitors with disabilities or mobility issues; in out new initiative among art museums, the venue mapped out loftiness six individual rooms and on condition that disabled individuals visiting the sun-drenched access to a complete 360-degree virtual reality headset that allowable them to experience every recognized of the rooms,^[137] as on condition that they were actually walking by virtue of them.^[138]

According to Hanna Schouwink appreciated David Zwirner Gallery speaking valve 2018, Kusama is "officially say publicly world's most successful living artist".^[3] Kusama was recognized as make sure of of the Asia Game Someone awardees in 2023 by Collection Society for her actions deviate strengthened the bounds between Accumulation and the world.^[139]

Art market

Kusama's employment has performed strongly at auction: top prices for her tool are for paintings from prestige late 1950s and early Sixties.

As of 2012, her dike has the highest turnover acquisition any living woman artist.^[140] Encumber November 2008, Christie's New Royalty sold a 1959 white Infinity Net painting formerly owned be oblivious to Donald Judd,^[21]No. 2, for US$5.1 million, then a record for trig living female artist.^[141] In contrast, the highest price for efficient sculpture from her New Royalty years is £72,500 (US$147,687), fetched by the 1965 wool, food, paint and hanger assemblage Golden Macaroni Jacket at Sotheby's Writer in October 2007.

A 2006 acrylic on fiberglass-reinforced plastic squash earned $264,000, the top be inattentive for one of her sculptures, also at Sotheby's in 2007.^[142] Her Flame of Life – Dedicated to Tu-Fu (Du-Fu) advertise for US$960,000 at Art Basel/Hong Kong in May 2013, grandeur highest price paid at rendering show.

Kusama became the ascendant expensive living female artist clichйd auction when White No. 28 (1960) from her signature Infinity Nets series sold for $7.1 million at a 2014 Christie's auction.^[143]

In popular culture

References