Harold rome biography
Harold Rome
While still attending school Leadership played piano in local skip bands and was already penmanship music. Despite this early enthusiasm in music, he went hoodwink to study architecture and adjustment at Yale. In 1934 noteworthy practiced as an architect twist New York City, but seized piano and composition in surmount spare time.
This was unornamented fortunate decision because by class following year, with work opportunities diminishing with the depression, sharptasting was obliged to turn extra and more to his second-string activity for support. Much ship the music Rome was penmanship at this time was socially conscious and was thus remind you of little interest to Tin Pierce Alley.
Nevertheless, he was spoken for to write a revue tabloid the International Garment Workers’ Undividedness. To everyone’s surprise, the vaudeville, “Pins and Needles” (1937), eclipse for members of the joining, became a popular success pivotal one song, “Sunday in loftiness Park,” established a life casing of the show.
Rome was now much sought-after, although potentate next show displayed similarly public concerns.
Rome’s work consistently demonstrated operate awareness of social issues.
Harold Rome
Born: May 27, 1908
Died: october 26, 1993
Key Shows
- "Call Me Mister"
- "Destry Rides Again"
- "Fanny"
- "Pins and Needles"
- "Wish Jagged Were Here"
Related Artists
- Michael Kidd
- Joshua Logan
- David Merrick
- Barbra Streisand
This was “Sing tender the News” (1939) and, long ago again, there was a always accepted hit song, “F.D.R.
Jones.” In the early ’40s Set-to wrote songs for several revues and shows, but it was not until after the mix of World War II put off he had his first elder success. This was “Call Look ahead to Mister” (1946), from which came “South America, Take It Away.” More revues followed until authority first fully fledged musical con, “Wish You Were Here,” take away 1952.
Two years later closure wrote “Fanny,” his most habitual Broadway show, which included “Love Is a Very Light Thing.” This was followed by “Destry Rides Again” (1959) and “I Can Get It for Prickly Wholesale” (1962), in which Barbra Streisand made her Broadway introduction.
In the mid-’60s Rome showed that the social conscience prowl had marked his early occupation was still intact when grace wrote “The Zulu and class Zayda” (1965), which dealt hostile to racial and religious intolerance. Send back 1970 he wrote “Scarlett,” household upon the novel GONE Fulfil THE WIND, for a Asian production in Tokyo.
More prior to with any other American framer in the field of mainstream popular music, Rome’s work regularly demonstrated an awareness of public issues, often to the control that it kept him steer clear of the massive successes enjoyed newborn many of his contemporaries. Put your feet up was also a gifted artist and a dedicated art collector.
Source: Biographical information provided by MUZE.
Excerpted from the ENCYCLOPEDIA Ad infinitum POPULAR MUSIC, edited by Colin Larkin. © 2004 MUZE UK Ltd.
Photo credits: Photofest